Sounds hot? Surveying the midtown screening room I attended, the answer to that is mixed. The couple even starts scouring parks for attractive pieces of wood that they can use to whip each other into delirium. Soon S&M enters the picture with Y being the submissive, then there’s some coprophilia, and eventually Y becomes the dominatrix J apparently always wanted her to be. As is Y.įinding each other perfect mate material, these alphabet people meet and re-meet, always moving a step or two beyond what they mastered in their past sexual romps. Although at first J opines, “I don’t need the frustration of a virgin,” he in the end is very satisfied. Well, after a little more conversing, the anxious duo meet at a bus station and soon are alone in a poorly attired hotel room. Why this immediate need for copulation? Y’s two older sisters had been raped, and Y wants to have a less unfriendly sexual initiation. Oscars 2023: Best Original Score Predictions Martin Scorsese's Favorite Movies: 50 Films the Director Wants You to See It's as if Jang, in this film about dominance, is asserting his dominance over the actors.Īdvisory: This film contains graphic sex, nudity and harsh language.Sydney Sweeney to Star as 'Barbarella' in Remake She'll Also Produce It seems proprietary on the director's part, not to mention cold-blooded. It serves only to call attention to the fact that these are real people onscreen, naked and cavorting. Reminding the audience that the characters are really actors serves no narrative or thematic function. Jang also interrupts the action to show the actors preparing multiple takes of the same shot. In the Kim interview, she talks about her feelings about doing nude scenes. Jang seeks to break down the distance between the actors and the characters they play, so he includes interviews with Lee and Kim.
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He gives us a full minute like this, of the student dancing in a nightclub - a smeary image hopping up and down. His idea of kinetic filmmaking is to blur the image and shake the camera. To his credit, Jang makes things easy for audiences trying to get a sense of him as a director. He tells her that "tasting" her solid waste "made my heart beat so fast," and she's thrilled. The love banter, rendered in subtitle, is priceless. When the stick breaks, she announces that they have to start the beating all over. Next thing, she's whipping him, while he keeps falling down and getting up. So he suggests that she beat him, and she brightens up in a hurry. In one scene, she is out of sorts because he has beaten her. Then they graduate to sadomasochism and scarification. First they have sex the old-fashioned way. Most of the film takes place in hotel rooms.
The film stars two first-time actors, Lee Sang Hyun, who plays the sculptor,Īnd Kim Tae Yeon, as the teenager. But these fantasies are fleeting, and most of the time "Lies" is simply dull.
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Watching them beat each other, one does, at times, feel an urge to climb into the movie and start beating them, too - and then the director, and then the director's parents. They do, however, inspire one juicy fantasy. Two things keep it beneath even the low reaches of smut: 1) The people are not fun to look at and 2) They don't seem to be enjoying themselves. "Lies" would be considered a legitimate porn film, were it a little better. Along the way, they beat each other with sticks and eat excrement. Directed by Jang Sun Woo, who ought to be embarrassed, it's about a teenage girl and a 38-year-old married sculptor who embark on a sexual odyssey. This porno movie in disguise represents a benchmark in bad, a watershed in what-is-this. 's career is probably ahead of him.) Yet the smart money may well be on the Korean art film "Lies." In slightly less than 1,000 years, the competition for worst film of the third millennium will be fierce.
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